Véronique is a lighting and set designer, and costume designer.  In 2019, Véronique completed a Master of Fine Art (Design for Performance) majoring in lighting. She also holds a Bachelor of Fine Art (Technical Theatre and Stage Management) from NIDA. 

As a lighting designer, Véronique’s credits include: IRVING BERLIN’S HOLIDAY INN, A LITTLE NIGHT MUSIC, MERRILY WE ROLL ALONG (HAYES THEATRE); NATASHA, PIERRE AND THE GREAT COMET OF 1812 (DARLINGHURST THEATRE CO.); THE JUNGLE AND THE SEA, TELL ME I'M HERE, THE WOLVES (Belvoir); ALICE MOTHER OF CINEMA, MACHINAL (NIDA); THE GREAT DIVIDE (Ensemble Theatre); BUGGALUGS BUM THIEF, JUST LIVE (Red Line Productions); SACRE (Circa); BANGING DENMARK (Sydney Theatre Company); THE SMALLEST HOUR (Griffin Theatre); JOHN (Outhouse Theatre Co.); THE LIFE OF US (Hayes Theatre); NOSFERATU (Old 505); STUPID FUCKING BIRD (New Theatre); BURN WITCH BURN, HAPPY DAYS, KRAPP’S LAST TAPE (Old Fitz); CHORUS, ANATOMY OF A SUICIDE, PERMISSION TO SPIN, HOWIE THE ROOKIE (Old Fitz); A GIRL IS A HALF-FORMED THING (KXT); LUMEN MACHINE, PSYCHADELLIC FRENZY (Ensemble Offspring), ETERNAL LIGHT, PLEASURES OF VERSAILLES (Pinchgut Opera).

Set and lighting design for SWITZERLAND (Ensemble Theatre); ULSTER AMERICAN (Ensemble Theatre); A CASE FOR THE EXISTENCE OF GOD, ULSTER AMERICAN (Outhouse Theatre Co.); VENUS IN FUR (NIDA).

Costume design for AS YOU LIKE IT (Sport for Jove); MUSEUM OF MODERN LOVE (Seymour Centre/Sydney Festival); costume and lighting design for WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (NIDA).  

Véronique designed set, lighting and costumes for WAITING FOR GODOT (The Street Theatre).

Set and costumes for MEMORY OF WATER, RHINESTONE REX AND MISS MONICA, A BROADCAST COUP, THE CARETAKER, and A DOLL'S HOUSE (Ensemble); set and costume design for OUR BLOOD RUNS IN THE STREET (Red Line Productions); set design for EXIT THE KING (Red Line Productions);

Véronique’s associate lighting designer credits include: SCENES FROM THE CLIMATE ERA designed by Nick Schlieper (Belvoir) JULIA designed by Alexander Berlage (Sydney Theatre Company); CURSED! designed by Chloe Oglvie (Belvoir); NO PAY? NO WAY! designed by Paul Jackson (Sydney Theatre Company); HUMANS 2.0 designed by Paul Jackson (CIRCA); PRIMA FACIE designed by Trent Suidgeest (Griffin Theatre); CRY-BABY directed and designed by Alexander Berlage (Hayes Theatre Co); and MACBETH, THE TEMPEST and A MIDSUMMER NIGHT’S DREAM for Sport for Jove.  Associate set and costume designer roles include: JOHN and GLORIA designed by Jeremy Allen for Outhouse Theatre Co; and design associate for THE BEAUTY QUEEN OF LEENANE designed by Renée Mulder for Sydney Theatre Company.  

​She has received four Sydney Theatre Award nominations: for Best Stage Design of an Independent Production for EXIT THE KING and ULSTER AMERICAN; Best Lighting Design of an Independent Production for HAPPY DAYS; and Best Lighting Design of an Independent Production for JOHN.

Véronique participated in Melbourne Theatre Company’s WOMEN IN THEATRE Programme in 2020. Véronique was also selected to be mentored by lighting designer Paul Jackson through the Australian Production Designers’ Guild (APDG) in their annual emerging artist mentorship programme.